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The scar on Skye’s knee is in the shape of a smile

Line of Events

About to embark on a world tour, global pop sensation Skye Riley begins experiencing increasingly terrifying and inexplicable events. Overwhelmed by the escalating horrors and pressures of fame, Skye is forced to face her past.. In one scene Skye places a VOSS water bottle down on a stone /marble kitchen counter and a noise matching the sound of something plastic being placed down is heard. VOSS water bottles are glass, something that is actually specifically highlighted in the film, and so the audio doesn’t match the action seen.. Skye Riley: [to the Smile Entity] You’re not in control, I am! .

Featured in The 7PM Project: Episode dated 17 October 2024 (2024)

. . . Parker Finn's debut feature 'Smile' was a tense horror that made commentary about the devastating effects of trauma. Featuring striking visuals and production design, alongside an atmospheric score, the film was both compelling and creepy, following a psychiatrist who becomes convinced an unseen entity is stalking her after witnessing a violent incident. Boasting a strong central performance from Sosie Bacon, 'Smile' performed well at the box office, taking in $217.4 million on a $17 million budget.

Riley must battle both her internal demons as well as the 'smile creature,' never sure what is reality or fantasy

Although critical opinion was mixed, only months after its release, Finn was considering a sequel, noting "there’s still a lot of interesting stuff to explore in the world of Smile…" Fast forward two years, and 'Smile 2' is upon us. This time around, the action follows pop singer Skye Riley, who begins experiencing increasingly disturbing events on the cusp of a world tour. Forced to face her dark past, can Skye regain control of her life before it spirals out of control?'Smile 2' is a very rare beast: a sequel that is arguably better than its predecessor. As in the first, the theme of trauma is cleverly interwoven into the narrative, alongside which themes of control, psychosis, grief and addiction are made the lynchpins upon which the horror revolves. This makes for both a compelling and unpredictable ride, as Finn, making excellent use of both visual and audio jump-scares, takes one into the grinning heart of terror. .

Similarly, he captures Riley’s performances with aplomb, lending them authenticity

. . From the brilliantly frenetic opening to the barnstormer of an ending, the film fires on all cylinders, never letting up. Finn’s characterization is astute, and his narrative surprisingly funny; it’s a horror with pitch-black comedy at its core: in contrast to the overwhelming bleakness of its predecessor; 'Smile 2' The film reunites Finn with the majority of the crew from the original, including cinematographer Charlie Sonoff. His work on the first film created an unnerving atmosphere of unpredictable instability; as it does once again. Sarnoff’s use of lighting effectively generates contrast and mood, while his framing of images heightens the narrative’s suspense.

Night Shyamalan’s recent ‘Trap’)

Although the camera might be flipped upside-down to create an ominous effect one too many times, overall, Sarnoff’s stellar work compounds the impact of proceedings; and is creepily captivating.Moreover, Cristobal Tapia de Veer’s score generates a disturbing atmosphere, imbuing the film with a raw, horrific power. While the songs written for the Riley character are fairly generic, they are performed well (and are considerably better than the similar tunes written for the Lady Raven character in M. .Lester Cohen’s detailed production adds an element of realism, grounding the film despite the fantastical horror of its narrative.

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